UP TIL NOW
MY YOUTHFUL STAGE
WAS A USELESS RAGE
A TORN OUT PAGE
A WORN OUT GAUGE
A DIRTY SHADE
A BIG CHARADE
A HAS BEEN MADE
AND HONESTY WAS MY ONLY EXCUSE
I TOOK YOUR LOVE AND I USED IT
NOTES :
HERE IS
THIN LIZZY'S
FIRST ALBUM
WITH THE
BONUS EP ADDED
is the debut
studio album
by Irish rock band
released in 1971.
Following the release
of the album,
the band recorded
the EP
New Day,
produced and recorded by
Nick Tauber
at Decca Studios on
June 14th -17th 1971
and released on
August 20th 1971.
The songs from the EP
were included in later editions
of the album.
Background and Recording
In the autumn of 1970,
Brian Tuite and Peter Bardon
took over the management of
Thin Lizzy.
Lynott told Tuite:
"we've got twelve songs
at the moment
that we'd be happy enough to record".
after listening to some of the songs
Tuite tried to find a
record deal for the band.
Since he had a good friendship
with Decca Records A&R man,
Frank Rodgers,
tried to arrange a gig for
Thin Lizzy
and another of his acts,
soul singer
Ditch Cassidy.
Cassidy lacked his regular band,
and so Tuite put
Thin Lizzy as his
backing band.
After watching
Thin Lizzy's performance
at the Zhivago Club on
November 12th 1970,
Frank Rodgers
showed his interest
in them rather
than Cassidy,
and offered them a
record deal with Decca;
however,
Rodgers also suggested
another showcase gig for
other Decca personnel
before signing a contract
This time the band
performed their original material.
"Look What The Wind Blew In"
was one of the songs
that caught Rodgers's attention.
Afterward Tuite
travelled to London
to meet Decca's head
of A & R,
Dick Rowe.
The paperwork
was drawn up on
November 12th 1970,
and on the first day of December,
Decca officially signed
“Tin Lissy"
to a one-year
recording contract,
with the option of
extending the deal by
two further periods
of one year in
September 1971
and September 1972.
All going well,
they were committed to
delivering three albums
to the company.
The advance was £500,
with a further £500
to be paid after the album
had been completed.
Thin Lizzy
left Ireland after an
afternoon gig on
January 3rd 1971
at the Afton Club in Dundalk,
to start recording their
first album in London's
Decca Studios.
On their way to London,
Lynott met John Peel
and introduced
Thin Lizzy to him;
within ten months
Peel would be booking the group
for a session
on his Radio 1 show,
on October 12th 1971.
The band booked a guesthouse
in Sussex Gardens
in which to stay during
the first album recording.
The work began on
the Monday morning
and was done on
Friday evening.
Brian Downey says:
"We got up at nine in the morning,
[went] into the studio,
played from about ten or half ten
to eight or nine,
then clocked off
and went back to the guesthouse.
Then we did it again,
for the whole week".
According to manager
Brian Tuite,
while working with producer
Scott English,
Lynott had a fight
with him about the bass sound:
"Philip fell out a bit with him
because Scott wanted to
turn down the bass.
It got to the stage where I was
up in the control room
and Scott would say,
'Go down and tell the bass player
to turn down.'
He wouldn’t use the
[talkback] mike
because Phil wouldn't do it anyway.
So I'd say to Philip,
'The Bearded One wants you
to turn down the bass,'
and he'd say,
'Tell that fucking Yank to piss off.'
He knew full well the mike
would be open.
"Eric Bell explained that the band
was stoned during the
whole process of recording
and that he doesn't remember anything
from the sessions but he
remembers Scott English's
accompaniment with band
of giving them bags of weed:
"We were permanently stoned.
Scott English was this
jovial American guy,
a nice big bloke.
He had this enormous
bag of grass in one of the
drawers in the studio.
He brought it out,
threw it on the table and said,
'Help yourselves, boys!'
That was it.
I can’t actually remember
recording the first album.
I didn’t know anything until
the end of the record,
it was just a haze.
Smoking a bit of dope
and playing music
went hand-in-hand for us.
We were just that type of band
at that point in time.
It seemed to work for us,
we got ideas.
There was a lot of things
on that album that
were completely ad-libbed


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