IN THE GIVING
OF MY EYES
TO SEE YOUR FACE
SOUND DID SILENCE ME
LEAVING NO TRACE
Going for the One
is the eighth
studio album
by the English
progressive
rock band
released on
July 12 1977
by Atlantic Records.
After taking an
extended break in activity
in 1975
for each member
to record and release
a solo album,
and completing their
subsequent 1976 tour,
the band members became
tax exiles
and relocated to
Montreux, Switzerland,
to record their next
studio album at
Mountain Studios.
During the early
writing and rehearsal stages,
keyboardist
Patrick Moraz
was dismissed from the group
following creative
and psychological pressures.
This marked the return
of former keyboardist
Rick Wakeman,
who had left Yes
in 1974
to pursue a solo career
after differences
surrounding the band's
ambitious concept
double album
Tales from Topographic Oceans
(1973).
The album represents a
major shift in the band's
musical and aesthetic style.
In a departure from
the extended or
conceptual tracks
that dominated their
previous four studio albums,
Going for the One
features shorter,
more direct,
and accessible songs
written primarily by
Jon Anderson,
Steve Howe,
and
Chris Squire,
with the exception
of the fifteen-minute
closing track
"Awaken".
The album was solely produced
by the band themselves,
marking a formal split
from their longtime
producer and engineer
Eddy Offord
alongside the hiring of a
new engineering team.
It also marked the end
of their long-standing collaboration
with cover artist
Roger Dean,
as the band commissioned
Hipgnosis
to create a stark,
geometric design.
Musically,
the record introduces
unique instrumentation,
including
Howe's use of a
vachalia
and
pedal steel guitar work,
Wakeman's use of a
Polymoog synthesiser,
and a church organ
recorded via
a telephone line
from nearby Vevey.
Going for the One
received a positive response
from music critics,
who welcomed the band's
energetic return to more
melodic simplicity,
though the stark design
of the Hipgnosis sleeve
drew mixed retrospective
commentary.
It was a major commercial success,
reaching number one
on the UK Albums Chart
for two weeks,
number eight
on the US
Billboard 200,
and peaking within
the top ten across
several European charts.
Two singles
were released to
promote the album:
the title track
and
"Wonderous Stories",
the latter of which
reached number seven
in the United Kingdom
to become the band's
highest-charting single
in the country.
The album achieved
gold certifications
from both the British
Phonographic Industry
(BPI)
and the Recording Industry
Association of America
(RIAA)
within a month of its release.
The album has since been
remastered and reissued
multiple times
most notably in 2003
with
previously
unreleased tracks

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