Wednesday, September 9, 2026

Iggy Pop : Lust For Life




HERE COMES 

JOHNNY YEN AGAIN

WITH THE LIQUOR AND DRUGS

AND A FLESH MACHINE

HE'S GONNA DO

ANOTHER STRIP TEASE


Lust for Life

 is the second

 solo studio album

 by the American

 musician

 Iggy Pop 

released on 

September 9, 1977,

 through RCA Records. 

 It was his second

 collaboration with

 David Bowie 

after

 The Idiot

released in March

 the same year. 

Shortly after Bowie 

released his

 own album

 Low in January, 

Pop went on a tour

 to support 

The Idiot

 with Bowie

 as his keyboardist

At the tour's conclusion, 

Pop and Bowie

 regrouped in Berlin

 to record the former's 

next solo album.

Lust for Life

 was recorded at 

Hansa Studio

 by the Wall

 in West Berlin 

from 

May to June 1977, 

with production 

being handled 

by Bowie, 

Iggy Pop, 

and the engineer 

Colin Thurston.

 The touring band

 of Pop, Bowie,

 the guitarist

 Ricky Gardiner, 

and brothers

 Tony Fox

 and

 Hunt Sales

 on bass and drums,

 respectively, 

comprised the

 primary lineup

 for the album.

 After 

The Idiot

 was mostly composed

 by Bowie, 

Pop was adamant

 about having 

more control over

 Lust for Life,

 often composing

 his own arrangements,

 including for

 "Sixteen". 

This resulted in a

 hard rock and 

proto-punk sound

 more akin to his

 older style

 with the band 

the Stooges.

 Pop would use 

Bowie's arrangements

 for some songs, 

including the

 well-known title track.

Upon release,

 Lust for Life 

received little promotion

 from RCA 

but nevertheless 

peaked at number 28 

on the 

UK Albums Chart 

and remained 

Pop's 

highest-charting album

 there until 2016's 

Post Pop Depression

It also peaked at 

number 8

 in the Netherlands

 and number 120 

on the

 US Billboard 

Top LPs & Tape chart. 

Critically,

 Lust for Life 

was well-received, 

with many praising 

Pop's energetic performance

 throughout and his

 greater role compared

 to

 The Idiot;

 the former would later

 be regarded as one

 of his best works 

and has appeared

 on several

 best album lists.

 It was 

Pop and Bowie's 

final collaboration 

until the mid-1980s.

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