YOU WANT A LOVE
TO LAST FOREVER
ONE THAT WILL
NEVER FADE AWAY
I WANNA HELP
WITH YOUR PROBLEM
STICK AROUND , I SAY
Press to Play
is the sixth
solo
studio album
by the
British musician
released on
August,25th 1986.
It was McCartney's
first album of
entirely new music
since
in 1983,
and his first
solo album
to be issued
internationally
by EMI
following a
six-year period
with
Columbia Records
in the United States
and Canada.
Keen to
re-establish himself
after his
poorly received
1984 musical film
Give My Regards to Broad Street,
McCartney
enlisted producer
Hugh Padgham
to give the album a
contemporary sound.
On release,
Press to Play
received a
mixed critical reception
and was
McCartney's
poorest-selling
studio album
up to that point.
Although it failed
to make the top 20
in the US,
the album peaked
at number 8
on the
UK Albums Chart
and achieved
gold status
from the BPI
in September 1986.
Four singles
were issued from
Press to Play:
"Press",
"Pretty Little Head",
"Stranglehold"
and
"Only Love Remains"
"Press"
was a minor success,
peaking at number 21
in the US.
The music video
for the song
featured
McCartney
walking around
Bond Street
and
Charing Cross
tube stations
in London,
catching a tube train
and speaking with
members of
the general public.
After completing
the basic tracks
and the first round
of overdubs,
the Press to Play sessions
resumed in
July 1985.
Guesting on the album
were
the Who's
lead guitarist,
Pete Townshend,
Genesis'
drummer
and lead vocalist
Phil Collins,
Split Enz's
keyboardist
Eddie Rayner
and backing vocalists
Ruby James
and
Kate Robbins.
Carlos Alomar
also overdubbed
electric guitar
on several tracks,
including
"Press",
"Good Times Coming/Feel the Sun",
"It's Not True",
"Tough on a Tightrope",
"Write Away"
and
"Move Over Busker",
according to his
recollections included
in the book
Paul McCartney:
Recording Sessions
(1969–2013).
One of the tracks
that had been recorded
during the
March sessions
with Martin Chambers,
"Angry",
was completely redone
July 20th
with
Pete Townshend
and
Phil Collins,
although only
the backing vocals
from the
original recording
were kept
Cover Artwork
The album's cover
features
Paul McCartney
and his then-wife,
Linda McCartney.
The photograph
was taken by
George Hurrell,
using the same
box camera
that he used in
Hollywood
in the 1930s
and the 1940s.
Hurrell was renowned
for his photographs
of movie stars
of the 1930s
and 1940s
like Clark Gable
and Greta Garbo,
to which
the album's cover
was meant to
pay homage.
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