THEY CALL IT
STORMY MONDAY
BUT TUESDAY'S
IS JUST AS BAD
NICE SOUNDING
RARE ALBUM RIP !!!
A Kansas-based
obscure rock band
whose music was a
downbeat mixture of
psychedelia and hard rock,
Bulbous Creation
would have to wait until
many years after
they broke up to
receive any recognition
outside their home town.
The Bulbous Creation album
sat unreleased
until 1995,
when collector and archivist
Rich Haupt
ran across a copy
of the session
and gave it an
unauthorized release
on his
Rockadelic Records label.
The low-key release
built a cult reputation for
Bulbous Creation's
lean but powerful,
doomy music
and expressive lyrics.
Bulbous Creation
were formed by
bassist
Jim "Bugs" Wine
and guitarist,
vocalist,
and songwriter
Paul Parkinson,
both of whom grew up
in Prairie Village, Kansas,
a town about ten miles
from Kansas City.
Parkinson took up guitar
in his early teens
and played in a handful
of ad-hoc groups
during his high-school days,
most featuring his
good friend
Wine on bass.
In 1966
Wine went into the military,
and heettled in
Kansas City, Kansas
upon his return
three years later.
Wine was keen on
starting a band,
and a newspaper ad
brought him together
with a talented guitarist,
Alan Lewis,
and a capable drummer,
Chuck Horstmann.
However,
the band needed a
boost with its songwriting,
and after Wine ran into his
old friend Parkinson,
he was soon invited to
join the group
and contribute
lyrics and vocals.
A fifth member,
keyboard player
Lynne Wenner,
occasionally joined
the group on-stage.
Lewis was keen on
naming the new band
Bulbous,
which didn't sit well
with his bandmates,
but when someone suggested
tagging Creation
onto the moniker,
the group agreed on
the new name.
The ongoing efforts of
record collectors
and
rock & roll archivists
from the mid-'70s
onward suggests that
nearly every American city
of any size had
at least one band
that was too weird
for the locals in
the'60s and/or '70s,
and in Kansas City, Kansas,
that honor was proudly held by
Bulbous Creation.
In addition to having
a name that either
sounds like a joke or
something Robert Pollard
would have coined
for one of his
Guided by Voices
Suitcase tracks,
Bulbous Creation's
compelling eccentricity is
confirmed by the
eight-song album
the group recorded
one day in 1971,
not long before
they broke up,
insuring the band's
magnum opus
would not be heard
for decades.
(The album sat unreleased
for years until it was given
an unauthorized release
in 1995,
with the
Numero Group
finally pressing a
band-approved version
in 2014.)
In many respects,
Bulbous Creation
sound like a bent but
reasonably typical rock band
of the day on
You Won't Remember Dying;
the melodies evoke a time
when psychedelia
was drifting out of consciousness
and tougher hard rock sounds
' were taking their place,
and both are clearly part of
Bulbous Creation's
aural formula.
Guitarist
Alan Lewis
was presumably familiar with
Tony Iommi's style,
but rather than create a
crushing wall of riffs like
Black Sabbath,
Lewis left enough open space
to make the songs feel
spare and evoke
a feeling of vague dread.
Bassist
Jim "Bugs" Wine
and drummer
Chuck Horstmann
similarly held down
the rhythms while
giving themselves lots
of breathing room,
which left plenty of space
for vocalist and songwriter
Paul Parkinson,
a bitter semi-hippie moralist
who offers up fearlessly
doomstruck poetry
about drugs
("Hooked"),
war
("Fever Machine Man"),
God's judgment
("Under the Black Sun"),
and Satanism
("Satan" -- no one said the guy was subtle).
Since finances dictated that
Bulbous Creation's album
be recorded in a single day,
You Won't Remember Dying
sounds more like a demo
than a finished product,
but the band's merger
of the trippy and the heavy
still communicates clearly,
and Parkinson's dramatic lyrics
are evocative and full
of fury that seemingly
embraces and rejects
the counterculture
at the same time.
was doubtless a bit much
for the kids in
Kansas City,
Kansas in 1971
but decades later,
this band sounds like they
could have been onto
something rather remarkable,
especially if they'd had
more time and
better help in the studio;
as it is,
this is still an utterly
fascinating artifact
of a shadowy period
in the freak scene.
Cancer claimed the life of
Alan Lewis
in 1998,
and in 2001
Paul Parkinson
succumbed to
leukemia
LINE UP
Paul Parkinson
(vocals, guitar)
Jim "Bugs" Wine
(bass)
Alan Lewis
(lead guitar)
Chuck Horstmann
(drums)
Lynne Wenner
(keyboards, live)



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