LAY, LADY LAY
LAY ACROSS MY
BIG BRASS BED
Nashville Skyline
is the ninth
studio album
by the
American singer-songwriter
released on
April 9, 1969,
by Columbia Records .
Building on the rustic style he expe
rimented with on
John Wesley Harding,
Nashville Skyline
displayed a
complete immersion
into country music.
Along with the more
basic lyrical themes,
simple
songwriting structures,
and charming domestic feel,
it introduced audiences
to a radically new
singing voice
from Dylan,
who had temporarily
quit smoking a soft,
affected country croon.
The result received a
generally positive reaction
from critics,
and was a
commercial success.
The album scored
Dylan his fourth
UK No. 1 album
and reached
No. 3
in the U.S.
Background
The concept of recording
a country album
in Nashville
was first
discussed with
Dylan in 1965
by Johnny Cash,
who expressed interest in
producing such an album.
"I've got my own ideas
about that
Nashville sound
and I'd like to
try it with Bob,"
Cash said
in a March 1965
interview with
Music Business magazine.
Those sessions
did not end up
materializing
until 1969
and by June of 1965,
Dylan was going
fully electric
with the recording of
Highway 61 Revisited.
By the time
Nashville Skyline
was recorded,
the political climate
in the United States
had grown more polarized
. In 1968,
civil rights leader
Martin Luther King Jr.
and Senator
Robert F. Kennedy
(a leading candidate for the presidency)
were assassinated.
Riots related to
the Vietnam War
and civil rights
broke out in most
large American cities.
A major one surrounding
the Democratic National Convention
in Chicago
and racially motivated
conflagrations spurred by
King's assassination
marked this period.
A new president,
Richard Nixon,
was sworn into office
in January 1969,
but the U.S. engagement
in Southeast Asia,
particularly the
Vietnam War,
would continue
for several years.
Protests over a wide range of
political topics
became more frequent.
Dylan had been a
leading cultural figure,
noted for political
and social commentary
throughout the 1960s.
Even as he moved away
from topical songs,
he never lost his
cultural stature.
However,
as Clinton Heylin
wrote of
Nashville Skyline,
"If Dylan was concerned about
retaining a hold on
the rock constituency,
making albums with
Johnny Cash
in Nashville
was tantamount to
abdication in many eyes.
""Our generation owes him
our artistic lives,"
observed
Kris Kristofferson,
who later sang with
Cash in The Highwaymen,
"because he opened all the doors
in Nashville when he did
Blonde on Blonde
and
Nashville Skyline.
The country scene was so
conservative until
he arrived.
He brought in
a whole new audience.
He changed the way
people thought about it
even the
Grand Ole Opry
was never
the same again."
TRACKLIST
(With Johnny Cash)
Nashville Skyline Rag
To Be Alone With You
I Threw It All Away
Peggy Day
Lay Lady Lay
One More Night
Tell Me That It Isn't True
Country Pie
Tonight I'll Be Staying Here With You
Girl From The North Country
(Rehearsal)
(With Johnny Cash)
Girl From The North Country
(Take 1)
(With Johnny Cash)
To Be Alone With You
(Take 1)
I Threw It All Away
(Take 1)
Peggy Day
(Take 1)
Lay, Lady, Lay
(Take 2)
One More Night
(Take 2)
Tell Me That It Isn't True
(Take 2)
Country Pie
(Take 2)
That's All Right, Mama
(Take 1)
(With Johnny Cash)
I Walk The Line
(Take 2)
Folsom Prison Blues
(Outtake)
(With Johnny Cash)
Wanted Man
(Take 1)
(With Johnny Cash)
I Threw It All Away
(Mono)
(Live)
Girl From The North Country
(Mono)
(Live)
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