Wednesday, December 17, 2025

Genesis : Wind & Wuthering


GO FAR ENOUGH

AND YOU WILL REACH

A PLACE WHERE THE SEA

RUNS UNDERNEATH 

WE'LL SEE OUR SHADOW,

HIGH IN THE SKY

DYING AWAY IN THE NIGHT


 Wind & Wuthering

 is the eighth 

studio album

 by the English 

progressive 

rock band

Genesis

It was released on

 December 17, 1976 

on Charisma Records 

and is their 

last studio album

 to feature guitarist 

Steve Hackett.

 Following the success 

of their 1976 tour

 to support their 

previous album 

A Trick of the Tail,

 the group relocated to

 Hilvarenbeek 

in the Netherlands 

to record a 

follow-up album, 

their first recorded 

outside the UK. 

Writing and recording

 caused internal friction, 

as Hackett 

felt some of his contributions

 were dropped

 in favor of material

 by keyboardist

 Tony Banks.

The album received a 

positive response

 from critics 

and contributed to

 the band's 

growing popularity

 in the US.

 It reached No. 7

 in the UK

 and No. 26

 in the US 

and sold steadily, 

eventually reaching

 Gold certification 

by the British 

Phonographic Institute 

and the Recording

 Industry Association

 of America. 

The single 

"Your Own Special Way" 

was the band's

 first charting single

 in the US,

 reaching No. 62

The band's 1977 tour, 

their last with Hackett, 

was their first 

with 

Chester Thompson

 hired as their

 live drummer. 

Three tracks 

left off the album 

were released 

during this time

 as an extended play, 

Spot the Pigeon.

Background and Production

By mid-1976, 

Genesis had survived

 the departure of 

original front man

 Peter Gabriel, 

with drummer 

Phil Collins 

taking over

 lead vocals, 

and produced

 the critically 

and commercially

 successful album 

A Trick of the Tail 

and supporting tour. 

When they started work

 on a new album,

 keyboardist 

Tony Banks 

recalled a

 considerable amount 

of music had been

 written before

 the recording stage. 

Bassist and 

rhythm guitarist

 Mike Rutherford 

said it took an 

estimated six weeks

 to write the album.  

He pointed out 

the band wished

 to distance themselves

 from writing songs 

that were inspired 

by fantasy, 

something that their 

past albums 

"were full of". 

They wanted to 

write songs

 that they enjoyed, 

rather than having

 to please all the fans.

Hackett requested time

 to do another 

solo album

 before recording

 Wind & Wuthering

but was denied. 

He suggested ideas

 like dividing the 

song credits evenly

 so all four members

 had an equal 

number of songs

 on the album

 and bringing in

 outside musicians,

 which received 

a cold reception

 from the other members. 

He found himself 

arguing with the band

 as he felt his ideas

 were rejected

 in favour of material

 that Banks, 

in particular, 

had put forward.

Having already 

released his

 first solo album, 

Voyage of the Acolyte

Hackett requested

 the band use more

 of his musical ideas 

on

 Wind & Wuthering

Banks ended up

 with six

 writing credits 

on the album's 

nine tracks,

 more than any

 other member. 

Collins spoke of

 Hackett's request: 

"We just wanted to use 

what we agreed was

 the strongest material, 

irrespective of

 who wrote it". 

He later said he

 did like Hackett's songs, 

but just thought 

Banks won the

 popular vote 

with the band. 

Hackett was 

not interested

 in writing 

shorter and simpler songs,

 and felt 

"the wackiness was

 being toned down".

Recording began

 in September 1976

 with producer 

David Hentschel 

at Relight Studios

 in Hilvarenbeek, 

Netherlands,

 the first time

 Genesis

 recorded an album 

outside of the UK.

 The band learned that

 they could keep 

as much as

 25 percent more

 of their earnings

 if they recorded 

an album overseas. 

Rutherford 

found the idea attractive,

 for the location 

offered fewer distractions. 

The band recorded quickly, 

and finished

 the basic tracks

 for the album

 in twelve days.

 Further work 

on the album 

was completed

 in October at 

Trident Studios

 in London; 

the album was

 mixed there 

in three weeks.

Collins explained that 

the album's title 

derives from a combination 

of the

 early working titles

 of

 "Unquiet Slumbers for 

the Sleepers...

" and "

...In That Quiet Earth",

 respectively. 

The first was named 

because of its 

"wind-like evocations"; 

the second as it has

 "a bit of a corny mood" 

like Emily Brontë's novel 

Wuthering Heights did.

 The songs took their titles

 from the last sentence

 in the novel.

 The "Wind" also

 has links to

 "The House of the Four Winds", 

a piece guitarist 

Steve Hackett 

wrote that became 

the bridge on

 "Eleventh Earl of Mar", 

plus the wind alluded to on

 "Your Own Special Way". 

Banks suggested

 the album's title 

which received some

 initial doubts 

from management

 "because it isn't 

zap-pow enough."

The album's sleeve 

was designed 

and illustrated

 by Colin Elgie 

and Hipgnosis.

 Upon hearing the

 album's title

 Elgie liked its visual title 

and immediately thought 

of Heathcliff, 

a prominent character from

 Wuthering Heights,

 and English moorland.

 He had remembered 

a scene from the

 Middle Ages film 

The War Lord

 (1965) 

which featured 

Charlton Heston 

standing beside a tree 

and the birds in

 it take flight.

 The cover is a watercolor

 by Elgie 

which took around

 three weeks to complete. 

He looked back 

on his design 

and wished to use 

"a hint more color,

 less monochromatic"

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