Tuesday, October 20, 2026

Kansas : Leftoverture (Expanded Edition)





ONCE I ROSE ABOVE

THE NOISE AND CONFUSION

JUST TO GET A GLIMPSE

BEYOND THIS ILLUSION


Leftoverture 

is the fourth

 studio album

 by American 

Rock Band

 Kansas 

released 

in 1976. 

Background

Steve Walsh began to 

experience writer's block

 prior to the recording,

 and his contribution

 to the album would

 ultimately be limited

 to co-authoring

 three songs; 

it fell on 

Kerry Livgren

 to fill the void. 

The new compositions

 retained much of the

 classically inspired

 complexity of 

Livgren's 

previous work. 

As with their 

previous album, 

Masque, 

Kansas recorded

 Leftoverture 

at Studio in the Country

 in Bogalusa, Louisiana. 

The Studio in

 the Country was

 so named because, 

as Livgren described 

on 

In the Studio with Redbeard 

radio show 

in the episode spotlighting

 Leftoverture, 

"it was in the middle 

of a swamp. 

We'd walk out 

of the studio 

and there would

 be gators in front 

of the studio, 

mosquitos 

the size of B-52s

 and at times armadillos

 would run into

 the control room."

Leftoverture 

opens with the song

 "Carry On Wayward Son", 

which Livgren wrote 

as a sequel to

 "The Pinnacle", 

the final song 

from the 

previous album 

Masque (1975).

The album's title,

 Leftoverture, 

is a portmanteau 

of leftover and overture.

The album was met

 with mixed reviews.

 Rolling Stone

 called

 Leftoverture 

Kansas's 

best album to date, 

and said that it 

"warrants Kansas a

 spot right alongside

 Boston

 and

 Styx 

as one of the

 fresh new 

American bands

 who combine 

hard-driving 

group instrumentation

 (with a dearth of flashy solos)

 with short,

 tight melody lines

 and pleasant singing. 

The magazine

 Playboy 

reviewed the

 album as

 "extremely strong" 

and lauded

 Kansas 

for representing 

"the solid, 

Midwestern values 

of our vast

 musical heartland."

 In contrast, 

Robert Christgau 

said the album lacked

 the intelligence

 and conviction

 of European 

progressive rock, 

and that the

 self-deprecating

 humor implied 

in the song 

and album titles

 is completely absent 

from the record itself.

More recently, 

AllMusic's 

Stephen Thomas Erlewine 

wrote that the 

album contains

 "neither hooks nor

 true grandiosity to 

make it interesting" 

and, 

despite the great single

 "Carry On Wayward Son",

 the fact that

 Kansas

 "never manage to rival

 it anywhere on this record

 is as much

 a testament to

 their crippling ambition

 as their lack of skills."

 Gary Graff 

was more enthusiastic,

 finding

 Leftoverture

 to be

 "Kansas' breakthrough album

 and a thorough representation

 of its assorted 

musical sensibilities." 

Ultimate Classic Rock

 critic 

Matt Wardlaw

 considered

 "Carry On Wayward Son",

 "Magnum Opus", 

"The Wall", 

"What's on My Mind" 

and

 "Opus Insert" 

to be classics.

Ultimate Classic Rock

 critic 

Eduardo Rivadavia

 rated 

"Carry On Wayward Son"

 as Kansas'

 greatest song 

and

 "The Wall"

 as Kansas' 

sixth greatest song.

Bonus 

IN THE STUDIO

with REDBEARD

By October 1976, 

it was go big 

or go home for

 Kansas,

the intrepid

 six-man 

Progressive Rock band

 from Topeka, Kansas.

 Because of the hit

 "Carry On Wayward Son" 

 submitted by the prolific 

Kerry Livgren 

even as the band was packing up

 to leave rehearsals 

 and radio hits 

"Miracles Out of Nowhere",

"The Wall", 

"Cheyenne Anthem", 

and 

"What's On My Mind ",

 "Leftoverture"  

gave Kansas

 rock statehood to

 the tune of over

 four million sold. 

Livgren is joined by 

Richard Williams, 

Phil Ehart, 

Steve Walsh,

 and  the late

 original 

Kansas

 violinist/singer

 Robbie Steinhardt 

here In the Studio.

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