Tuesday, December 17, 2024

The Beach Boys : Pet Sounds (50Th Anniversary Edition)




I MAY NOT 

ALWAYS LOVE YOU

BUT LONG AS 

THERE ARE STARS  ABOVE YOU

YOU NEVER TO DOUT IT

I'LL MAKE YOU 

SO SURE ABOUT IT



 Pet Sounds

 is the eleventh 

studio album

 by the

 American 

Rock band

 The Beach Boys

 released on 

May 16, 1966,

 by Capitol Records.

 It was initially met 

with a lukewarm 

critical response

 in the United States, 

although it

 peaked at 

number 10 

on the 

Billboard Top LPs chart.

 In the

 United Kingdom, 

however,

 the album was

 lauded by critics 

and reached

 number 2

 on the

 Record Retailer chart,

 remaining in the

 top ten

 for six months. 

Promoted there as

 "the most progressive

 pop album ever", 

Pet Sounds

 was recognized for its 

ambitious production,

 sophisticated music, 

and 

emotional lyrics.

 It is now considered

 to be among 

the greatest 

and most

 influential albums

 in music history.

The album was produced,

 arranged,

 and

 almost entirely composed

 by 

Brian Wilson

 with guest 

lyricist

 Tony Asher. 

It was recorded

 largely between

 January

 and

 April 1966, 

a year after 

Wilson had quit touring 

with his bandmates 

and debuted

 a more progressive

 sound with 

The Beach Boys Today! 

(1965). 

Wilson viewed

 Pet Sounds 

as effectively a

 solo album

 and credited part 

of its inspiration

 to marijuana 

and a 

newfound spiritual

 enlightenment. 

Galvanized by

 the work 

of his idol 

Phil Spector

 and rival group

 The Beatles, 

his goal was to create

 "the greatest rock album ever made", 

one without filler. 

An early concept album,

 it consists mainly 

of introspective

 and 

semi-autobiographical songs

 like 

"You Still Believe in Me", 

about a lover's

 unwavering loyalty;

 "I Know There's an Answer", 

a critique of

 LSD users; 

and

 "I Just Wasn't Made for These Times", 

about social alienation.


Incorporating elements of

 pop, jazz, 

exotica, classical, 

and the 

avant-garde, 

Wilson's 

Wall of Sound–based

 orchestrations

 mixed

 conventional 

rock set-ups

 with elaborate

 layers of

 vocal harmonies, 

found sounds, 

and instruments 

rarely if ever

 associated with rock, 

such as

 bicycle bells, 

French horn,

 flutes,

 Electro-Theremin,

 string sections,

 and 

soda cans. 

It marked the

 most complex

 instrumental 

and 

vocal parts 

of any 

Beach Boys album, 

and the first 

in which 

studio musicians

 (such as the Wrecking Crew) 

replaced the band 

on most of the

 instrumental tracks.

 The album could 

not be 

reproduced live 

and was the

 first time 

that any group

 had departed from

 their usual

 small-ensemble

 pop/rock 

band format

 for a whole LP.

 Its unprecedented

 total production

 cost exceeded

 $70,000 

(equivalent to $660,000 in 2023).

 Lead single

 "Caroline, No" 

was issued as 

Wilson's

 official solo debut.

 It was followed by

 two singles 

credited to the group:

 "Sloop John B"

 and

 "Wouldn't It Be Nice" 

(backed with "God Only Knows").

 A planned successor album, 

Smile

was never finished.

Pet Sounds 

revolutionized 

music production 

and the role of 

professional record producers, 

especially through 

Wilson's pioneering 

studio-as-instrument praxis. 

The record contributed to 

the cultural legitimization

 of popular music, 

a greater public

 appreciation for albums,

 the popularity of 

synthesizers, 

and the development of

 psychedelic music

 and progressive/art rock.

 It also introduced

 novel approaches

 to orchestration, 

chord voicings, 

and 

structural harmonies, 

such as its avoidance 

of 

definite key signatures. 

Although it had been widely

 revered by 

industry insiders, 

the album was

 obscure to mass audiences 

before being reissued 

in the 1990s, 

after which it topped

 several critics' 

and musicians'

 polls for the

 best album of all time, 

including those 

published by NME,

 Mojo

Uncut,

 and

 The Times.

 The album has also been

 consistently ranked

 number 2

 in all editions of

 Rolling Stone's

 "The 

500 Greatest Albums

 of All Time" list. 

As a solo artist, 

Wilson embarked on a

 string of 

Pet Sounds 

concert tours

 in the 

early 2000s

 and late 2010s. 

In 2004, 

the album was inducted

 into the 

National Recording 

Registry by

 the Library

 of Congress

 for being

 "culturally, historically, 

or aesthetically

 significant".

 Pet Sounds

 is certified platinum

 by the Recording 

Industry Association

 of America (RIAA),

 indicating over 

one million units

 sold in the U.S.

https://mega.nz/folder/HmoUCCpB#v8QUb1_uC1PIwYkkEda2Aw

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