Friday, December 13, 2024

Aerosmith : .Toys in the Attic/Night in the Ruts

 



GOT ME THE STRANGEST WOMAN,

BELIEVE THIS CHICKS NO CLINCH

BUT I REALLY GET HER GOING

WHEN I WHIP OUT

MY BIG TEN INCH...


DOUBLE SHOT OF
AEROSMITH

HERE IS 

TOYS IN THE ATTIC 

and 

NIGHT IN THE RUTS


Toys in the Attic

 is the third

 studio album 

by American 

Rock band 

Aerosmith

released on 

April 8, 1975, 

by Columbia Records.

 Its first single, 

"Sweet Emotion", 

was released on 

May 19 

and the

 original version of 

"Walk This Way"

 followed on

 August 28

 in the same year.

The album is the

 band's most

 commercially successful 

studio LP 

in the

 United States, 

with nine million 

copies sold, 

according to the RIAA. 

In 2003, 

the album was 

ranked No. 228

 on

 Rolling Stone'

list of The

 500 Greatest Albums

 of All Time. 

The album's title track 

and their collaboration

 with

 Run-DMC

 on a cover version

 of

 "Walk This Way"

 are included on

 the Rock and Roll Hall 

of Fame

 list of the

 "500 Songs that 

Shaped Rock and Roll".

Background

For Aerosmith's previous album,

 Get Your Wings

the band had begun 

working with 

record producer 

Jack Douglas

who co-produced 

that album with

 Ray Colcord.

 In the liner notes 

to the 1993 reissue 

of

 Greatest Hits

it was said by an 

unnamed member 

of the group

 that they

 "nailed"

 the album.

According to Douglas, 

"Aerosmith was a

 different band

 when we started

 the third album. 

They'd been playing 

Get Your Wings 

on the road for

 a year and had

 become better players

 - different.

 It showed in the

 riffs that Joe

 [Perry] 

and Brad

 [Whitford]

 brought back from

 the road for 

the next album.



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 Night in the Ruts 

is the sixth 

studio album

 by American 

Rock band 

AEROSMITH

released on 

November 16, 1979, 

by Columbia Records

Guitarist

 Joe Perry

 left the band

 midway through 

the album's recording.

Guitar parts

 for the remaining songs 

were recorded by

 Brad Whitford

Richie Supa,

 Neil Thompson,

 and 

Jimmy Crespo

The last became Perry's 

official replacement

 from 1979 to 1984

Perry's last session 

with the band 

was on 

May 30, 1979

The album was 

initially produced

 at the band's 

Warehouse rehearsal space

 by Jack Douglas, 

who'd produced 

Aerosmith's previous

 four albums, 

but later 

Columbia Records 

brought in

 Gary Lyons

 to replace 

Douglas as producer.


Background

Recording of the album 

began in the spring

 of 1979, 

but right from

 the beginning

 there were delays.

 Hampered by

 rampant drug use,

 vocalist 

Steven Tyler

 had difficulty

 completing lyrics 

and vocals. 

Bassist

 Tom Hamilton recalled: 

"We worked on the album, 

but we couldn't finish it. 

It was supposed to

 come out in June 

and be called 

Off Your Rocker,

 but there were 

no lyrics.

 It was a big crisis.

"The band members

 were also in

 dire financial straits,

 with guitarist 

Joe Perry owing the band

 $80,000

 for room service, 

which he planned to 

repay by recording

 a solo album.

 The relationship

 between Aerosmith

 and 

Jack Douglas

 also became

 frosty and unstable 

when the producer

 divorced his wife,

 whom the

 band had liked. 

With This, 

combined with 

weak sales of 

Draw the Line,

 led to Columbia 

stepping in, 

with Douglas 

reflecting in the 

band memoir 

Walk This Way,

 "The label finally put

 a lot of pressure 

on them. 

It was: 

"Look at these sales numbers.

 Come up with another hit 

or there's going to be trouble.'

 David 

(Krebs, Aerosmith's manager)

 thought I no longer

 exercised control 

over the band, 

which was true. 

No one did."

With the album still unfinished,

 the band was sent on tour

 to generate revenue, 

as they had burned

 through the

 budget allotment. 

This premature outing 

during the

 summer months 

pushed the album's 

release to

 later in the year.

 "Our management

 booked a tour," 

Hamilton noted, 

"leaving us just 

enough time to 

make the record, 

based on how long

 it'd taken us

 in the past, 

but we actually

 needed much more time.

 So we had to go

 on tour before

 the vocals

 were finished, 

and it was dragging

 on and on. 

Everyone was

 super-frustrated by it. 

It's ironic, 

because we were out

 on the road, 

playing stadiums

 to huge amount

of people, 

and yet the band

 was getting

ready to die."

https://mega.nz/folder/KuIVhTDb#jBA0raMS77Octaoz3sHiRA

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