Caress of Steel
is the third
studio album
by Canadian
rock band
released on
September 24, 1975,
by Mercury Records.
It was recorded immediately
after the band concluded
touring in support
of their previous album,
Fly By Night,
and marked a
development in
the group's sound,
moving from the
blues-based hard rock style
of their debut
towards progressive rock.
Caress of Steel
is considered Rush's
first progressive rock album.
Songs such as
"The Necromancer"
furthered Rush's
advancement into
narrative-driven,
fantasy-based compositions,
while
"The Fountain of Lamneth"
was their first prog-rock
"epic".
Other tracks like
"Bastille Day"
and
"Lakeside Park"
became staples
of the band's
live setlists.
Though the band members
were initially proud
of their work on
Caress of Steel,
the album proved to be a
commercial and
critical low point for
Rush
as the album's darker sound
and fantastical compositions
failed to find an audience
and confused some
of the band's peers;
further,
poor sales put the band
in danger of being dropped
by Mercury.
The mediocre reception
impacted the band's
gigging opportunities,
leading them to dub
the supporting tour the
"Down The Tubes Tour".
Despite being more
positively viewed
by the band's fans
in retrospect,
Ultimate Classic Rock
noted that the album
is still considered
"the black sheep of their catalog".
Background and Recording
By mid-1975,
Rush had stabilised
with a line-up of
guitarist
Alex Lifeson,
bassist and vocalist
Geddy Lee,
and drummer
and
primary lyricist
Neil Peart,
who had joined
the group in 1974.
They released
Fly by Night
(1975),
which marked
Rush's first foray
into multi-part conceptual songs
with
"By-Tor and the Snow Dog".
The group were on
a rise in popularity,
and received a
Juno Award for Most
Promising Group.
In June 1975,
they finished touring
Fly by Night,
which culminated in a
Canadian leg
that had them as
headliners
for the first time.
While preparing their
follow-up album,
Rush
took the extended
and
conceptual song elements
that they had introduced on
Fly by Night
and made it the
central focus for their
new material.
As a result,
this marked a development
in their sound from
blues-inspired
hard rock
towards progressive rock.
Peart recalled that the band
approached
Caress of Steel feeling
"serene and confident"
The album was recorded in
July 1975
at Toronto Sound Studios
in Toronto, Ontario.
Mixing took place in
the same studio.
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