Tuesday, April 1, 2025

The Allman Brothers : Wipe The Windows, Check The Oil, Dollar Gas, 1976

 



CAN YOU TELL ME,

TELL ME

FRIEND

JUST EXACTLY 

WHERE I'VE BEEN ?


Wipe the Windows, Check the Oil, Dollar Gas 

is a 1976 

Double live album by

 The Allman Brothers Band

It collected a variety of 

performances from

 the popular 

mid-1970s line-up 

of the band, 

which featured

 pianist 

Chuck Leavell 

and bassist 

Lamar Williams. 

Songs from their popular

 1973 

Brothers and Sisters album

 were heavily featured, 

but each of their 

other studio albums 

was represented by

 a selection as well.

Released 

after the group had 

already dissolved

 in acrimony,

 the album did not attract

 much praise

 or even attention

 at the time. 

The band did not like 

the selections, 

the sound mixing 

on the album

 was poor, 

the packaging was 

substandard, 

and the record also

 inevitably suffered

 by comparison

 to their classic

 1971 

At Fillmore East,

 generally considered one

 of the best 

live albums of all time.

Nevertheless, 

some of the

 1973 performances, 

such as of

 "Southbound", 

are strong, 

and the energetic 

1975 run-through of

 "Can't Lose What You Never Had" 

showed why it 

had enjoyed much

 of the 

progressive rock 

radio airplay

 off that year's 

Win, Lose or Draw.

 The New Year's Eve 1972

 nightclub performance

 of

 "Ain't Wastin' Time No More", 

a number 

originally recorded

 shortly after the band

 lost 

Duane Allman 

and now being 

played shortly after 

the band lost 

Berry Oakley, 

illustrated the group's

 mixture of

 lament and resolve.

Decades after its release, 

both Leavell 

and drummer 

Jaimoe 

spoke favorably 

of the record,

 saying that despite

 the lack of 

previously unreleased songs 

and the problems 

surrounding

 the band at the time, 

there was much 

excellent playing on it. 

Jaimoe said,

 "that's a hell of a record 

and I'm glad we captured 

the Chuck and Lamar era. 

It didn't last all that long.

" album's title is derived

 from the song 

"Too Much Monkey Business"

 by Chuck Berry

Album cover art was 

by 

Jim Evans.


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